This is the final entry from the artist that I’m betting worked on the posters for #89 The Threat, and #48 Hoodlum Empire. Similar to Crime Wave, the illustration tells many stories in its wonderful comic book style. Like its siblings, this poster has an unsophisticated composition and type treatment, but is so emblematic in its representation of the urban landscape so central to film noir that the sum of the poster is truly greater than the parts.
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